Simone is a writer and editor at Environmental Graffiti, an innovative green site currently looking for writers! Imagine having your work seen by up to 10 million people every month, writing for one of the Internet’s most trafficked environmental websites and getting paid for it. Whether it is extreme sports, conservation, art or freaky nature that floats your boat, Environmental Graffiti gives you a platform and a voice to share your knowledge, and meet people like you. You control the news, the news does not control you...
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‘The Street Is In The House’ project by Carlo Sampietro celebrates New York City and the objects that inhabit it by creatively repurposing them into household furniture.
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Full steampunk ahead! These cool goggles, made out of repurposed materials, are perfect for whatever you need, be it welding, dissecting or diving!
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Check out the sculptures of Nemo Gould; they’re made of everyday items, repurposed and assembled to create all kinds of monstrous weirdness — laced with a heady dose of steampunk!
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Australian artist Kylie Stillman carves trees out of books — and thus the very living things that gave their life to be turned into printed matter in the first place.
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Guerra de la Paz’s sculptures get personal because they are made out of the discarded camouflage clothing of the millions of faceless soldiers engaged in battle every day.
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Guitars are just perfect for steampunking. Most have been pimped out using pieces of clockwork, piping, metal and wood, only adding points on the recycling awesomeness scale.
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If you had any doubts that the predatory praying mantis is one lean, mean machine, these images of recycled steampunk mantises will clear your doubts once and for all.
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Readers who love the smell of money will love Justine Smith’s work. She repurposes banknotes, using them to create art that examines our relationship with money.
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High heels, not usually known for environmental friendliness, really can be green and thought-provoking if made from recycled or repurposed organic materials.
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These elegant installations, set in public spaces, draw attention to our ever-increasing consumerism, which, like the carts, seems to be an endless cycle.